It’s also a very powerful technique that can transform your skin retouching workflow. Once you’ve learned the fundamentals of the technique and how to set it up, it’s actually quite easy. Frequency Separationįrequency Separation is one of those techniques that appears as overcomplicated sorcery at first glance. The problems this tool can create with odd aberrations in skin texture patterns are hardly worth the risk. Use sparinglyĪgain this may be personal preference talking, but try to resort to the Clone Stamp when it’s the only tool left for the job, at least in terms of skin retouching. To get to your brush menu, just right-click.Įven though the sampled area was identical in tone, you can see the results of painting with the clone stamp tool in one large stroke. By using a soft-edged brush, you will reduce the impact of the area of skin around the blemish you are removing. This may be a preference, but the Clone Stamp is a heavy-handed tool that makes drastic changes with a single click. The one notable exception is when you are using frequency separation (covered below). It’s tricky to use and it’s often easier and faster to get similar results with other techniques. When you are retouching skin in Photoshop, the clone stamp tool will probably be one of your least used tools. This tip applies to pretty much every other skin retouching technique as well. This can help to hide a heavy handed approach and help to give more natural looking results. Once you’ve done the work that you want to with the patch tool, feel free to reduce the opacity of the layer that you are working on. When using the Patch Tool, try to sample from similar areas of tonality. Here, you can see the various areas of similar tonality circled in red. With the new layer set up, be sure that the drop-down box for the Healing Brush labeled “sample” is set to Current and Below. To do this, press the New Layer button on the Layers palette or press Ctrl+Shift+n (Cmd+Shift+n Mac). This also allows you to make changes later. That way, you can be sure that you are not altering your original image. When working with the healing brush, be sure to work on a new blank layer. To get the very best results from using the healing brush: 1. It’s a somewhat intuitive tool, that doesn’t take that long to figure out and it is very effective at what it does. The Healing Brush is probably going to be the first thing you reach for when you are retouching skin in Photoshop. Here’s a short list of tutorials for all of the techniques listed in this article: If you don’t, there are a myriad of good quality tutorials available. It assumes you have a basic understanding of how to use them. This article will provide you a set of tips to get the most out of some of the most common and most useful (read: my opinion) of these techniques. Many of the skin retouching techniques are useful and work well when used together with one another. They involve such obscure features of Photoshop that you would never be able to figure it out on your own. Others, like frequency separation, are complicated multi-step processes. Some of these are fairly easy and self-explanatory, like the Healing Brush. When it comes to retouching skin in Photoshop, there are a lot of tools and techniques available to you.
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